603 Free Artworks of Museum Of Applied Arts

the power of form applied to geometric tracery (1851)cooper hewitt, smithsonian design museummetropolitan museum of artwalters art museumart nouveaurococoapplied arts by françois boucherpainted enamel on copperexpressionism,de stijltheo van doesburg
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757405356), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593837829), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594005948), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780407442), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800520643), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778061014), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800426183), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593750930), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780530445), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778224004), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777238481), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777504591), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757549506), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593806000), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593873749), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594096309), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757614986), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594079377), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778053104), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780465815), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594000160), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778065064), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757611276), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593946688), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593809848), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757443006), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594039290), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780074382), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780253082), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594021288), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780539405), 1851
the power of form applied to geometric tracery (1851)
Vase (USA), 1900–10, 1900–10
glass in the cooper–hewitt, smithsonian design museumart nouveau
Vase (USA), 1900–10, 1900–10
glass in the cooper–hewitt, smithsonian design museumart nouveau
MET DP130238, Kitao Shigemasa
bequest of mrs. h. o. havemeyerkitao shigemasa
Ichikawa Kuzō as Miura Arajirō by Torii Kiyonobu I, 1718, Honolulu Museum of Art, Torii Kiyonobu
japanese prints in the honolulu museum of artjames michener collection
Fujimura Handayū II as Kusunoki's wife Kikusui by Torii Kiyonobu I, Honolulu Museum of Art, Torii Kiyonobu
fujimura handayū iitorii kiyonobu i
Inkstone and cover with plum blossom design by Shibata Zeshin, Honolulu Museum of Art, Shibata Zeshin, circa 1880
lacquerware by shibata zeshin in the honolulu museum of artinkstones
Goblet with coat of arms of Bishop Konstanty Felicjan Szaniawski., Antoni Strzałecki, between 1725 and 1735
glassware in the national museum in warsawhistory of lubaczów
Snuffbox, François Boucher, 1767–68
jean marie tironrococo
Portraits of Bosányi Margit and her brother, between 1895 and 1900
digitization of collections from the national museum of zrenjaninpeople of zrenjanin
Kabuki actor Fujimura Handayū II by Torii Kiyonobu I, late 1710s, Honolulu Museum of Art, Torii Kiyonobu
japanese prints in the honolulu museum of arttorii kiyonobu i
Ellen Robbins 1870 Autumn Leaves, Ellen Robbins
watercolor paintingsautumn leaves in art
Anna Bacciarelli - Portret damy, Anna Bacciarelli
portrait paintings of women of polandanna bacciarelli
Jacques Neilson 001, Alexandre-François Desportes
tapestries by the manufacture des gobelins18th-century decorative and applied arts
Octagonal electric kettle, designed by Peter Behrens, 1908, Germany - Royal Ontario Museum - DSC09520
decorative arts in the royal ontario museumelectric kettles by peter behrens
Carlos Gutierrez de los Rios, 1st Duke of Fernan-Nuñez, Jean-Baptiste Isabey, circa 1817
carlos gutiérrez de los ríos, 1st duke of fernán núñezmale portrait paintings by jean-baptiste isabey
Charles Spindler-La dame à la licorne, Charles Spindler, 1925
works by charles spindler1925 works in strasbourg
09. Aegidius Sadeler, podle Hanse von Aachena, Portrét císaře Rudolfa II., 1603, Uměleckoprůmyslové muzeum v Praze, Aegidius Sadeler
collections of the museum of decorative arts in pragueaegidius sadeler
Square Franz Joseph in Becskerek (postcard), 1901. (sent)
digitization of collections from the national museum of zrenjaninstreets and squares in zrenjanin
Jewel cabinet with watch, Jean-Antoine Watteau, probably ca. 1765–70
james coxrococo
Peter I by Lomonosov (1752-73, GRM), Louis Caravaque
mikhail lomonosov's mosaicsmosaic portraits
Jewel cabinet with watch, Jean-Antoine Watteau, probably ca. 1765–70
james coxrococo
Jewel cabinet with watch, Jean-Antoine Watteau, probably ca. 1765–70
james coxrococo
House De Lange, Alkmaar, Motif for ornamental border, Theo van Doesburg
interior designs by theo van doesburgexpressionism,de stijl
ACMAA P1988-26, Sarah Ann Lillie Hardinge
daguerreotype portraits of the united statessarah ann lillie hardinge
Embroidered Picture (England), 1851
textiles in the cooper–hewitt, smithsonian design museumvictorian architecture
Jewel cabinet with watch, Jean-Antoine Watteau, probably ca. 1765–70
james coxrococo
Sidewall (England), ca. 1890, Walter Crane, circa 1890
wallpapers by walter cranesymbolism
St. Mary Magdalene, Nikolai Bodarevsky, between 1895 and 1907
nikolai kornilievich bodarevskyvladimir alexandrovich frolov
Welcome: Stained Glass Window from the Mrs. George T. Bliss House, New York, John La Farge, 1908–9
stained glass in the metropolitan museum of artstained-glass windows by john la farge
Peter Behrens-Glass DSC8909, Peter Behrens, between 1901 and 1904
glam on tour – 100 jahre bauhaus in weimarcollections of the museum neues weimar
Madonna and Child, Bernardino di Mariotto
italian renaissance paintings in the walters art museumbernardino di mariotto dello stagno
Hans Kolb, Landesgewerbemuseum Stuttgart, 1889, Hans von Kolb
landesgewerbemuseum (stuttgart)hans von kolb
Peter Behrens Porcelain plate linear pattern 1901 BM, Peter Behrens
ceramics by peter behrensroom 48, british museum
Dinner set with stylized roses, designer Hans Christiansen, maker Lorenz Hutschenreuther, 3 of 3, c. 1903, porcelain - Museum Künstlerkolonie Darmstadt - Mathildenhöhe - Darmstadt, Germany - DSC06353
ceramics by hans christiansen in the museum künstlerkolonie darmstadthutschenreuther
Рерих Помин-о-четырех-королях 1911, Nicholas Roerich
thumbnails of paintings by nicholas roerichdove book
Salt Cellar with the Life of Hercules, Pierre Reymond
limoges painted enamels in the walters art museumworkshop of léonard limosin
Kabinettscheibe Wilde Frau makffm 9981, Master of the Housebook
medieval art in the museum für angewandte kunst frankfurtgerman renaissance
Large Jug, Virgil Solis
renaissance applied arts in the walters art museumandreas spatz
Двухбаковы кунтушовых пояс. Гродна, between 1768 and 1780
applied arts in the m. k. čiurlionis national museum of artart nouveau
House De Lange, Alkmaar, color design for ornamental border, Theo van Doesburg, 1917
interior designs by theo van doesburgexpressionism,de stijl
Двухбаковы кунтушовых пояс. Слуцк (2), between 1767 and 1780
applied arts in the m. k. čiurlionis national museum of artart nouveau
Kabinettscheibe Fragmente makffm 9980, Master of the Housebook
medieval art in the museum für angewandte kunst frankfurtgerman renaissance
Edo period Rinpa plum lacquered mother-of-pearl incense, Ogata Kōrin
lacquerware by ogata korinrimpa school
Двухбаковы кунтушовых пояс. Слуцк, between 1767 and 1780
applied arts in the m. k. čiurlionis national museum of artart nouveau
Young Samurai on Horseback by Okumura Masanobu, c. 1745, Okumura Masanobu, circa 1745
okumura masanobuhashira-e,uki-e
Mendes da Costa Hockender Affe makffm 4390, Joseph Mendes da Costa
collections of the museum für angewandte kunst (frankfurt)1905 sculptures in frankfurt am main
Edo period Rinpa plum lacquered mother-of-pearl incense, Ogata Kōrin
lacquerware by ogata korinrimpa school
Двухбаковы кунтушовых пояс. Гродна. Каралеўская фабрыка, between 1768 and 1780
applied arts in the m. k. čiurlionis national museum of artart nouveau
Typography for De Stijl., Theo van Doesburg, from 1917 until 1921
typographic designs by theo van doesburgexpressionism,de stijl
Jugendstilservice Theodor Grust 1902
porcelain tablewarecoffee sets
PossiblyJamesKPolk, 1849
daguerreotype portraits of the united statesjames knox polk
Ceiling Paper, Net Ceiling, 1895
wallcoverings in the cooper–hewitt, smithsonian design museum1895 decorative and applied arts
Ceiling Paper, Net Ceiling, 1895
wallcoverings in the cooper–hewitt, smithsonian design museum1895 decorative and applied arts
Ceiling Paper, Net Ceiling, 1895
wallcoverings in the cooper–hewitt, smithsonian design museum1895 decorative and applied arts
Intarsienbild Roentgen Zick makffm 6889, Januarius Zick
collections of the museum für angewandte kunst (frankfurt)intarsia
Charles William Bartlett. Market Day, Garoet. Java., c. 1923, Etching, engraving; hand-colored with watercolor., Charles William Bartlett, circa 1923
intaglio prints by charles w. bartlettpeople of west java
Vase (England), 1891, Walter Crane
ceramics of the united kingdom in the cooper–hewitt, smithsonian design museumsymbolism
Stained Glass Quatrefoil Roundel with Hunting Scenes, Hans von Kulmbach
renaissance applied arts in the walters art museumgerman renaissance
Dinner set with stylized roses, designer Hans Christiansen, maker Lorenz Hutschenreuther, 2 of 3, c. 1903, porcelain - Museum Künstlerkolonie Darmstadt - Mathildenhöhe - Darmstadt, Germany - DSC06352
ceramics by hans christiansen in the museum künstlerkolonie darmstadthutschenreuther
The Virgin of the Immaculate Conception, Bartolomé Esteban Murillo, circa 1660 (Baroque)
inmaculada concepción, de murillo (walters art museum, baltimore)baroque painting
Dinner set with stylized roses, designer Hans Christiansen, maker Lorenz Hutschenreuther, 1 of 3, c. 1903, porcelain - Museum Künstlerkolonie Darmstadt - Mathildenhöhe - Darmstadt, Germany - DSC06350
ceramics by hans christiansen in the museum künstlerkolonie darmstadthutschenreuther
Desert plate with rose decor, designer Hans Christiansen, maker Gerb. Bauscher, 1900-1901, porcelain - Museum Künstlerkolonie Darmstadt - Mathildenhöhe - Darmstadt, Germany - DSC06355
ceramics by hans christiansen in the museum künstlerkolonie darmstadtroses in art nouveau
Mécano no. 4/5 White, Blanc, Wit, Weiss (front and back cover), Mécano Jaune, Geel, Gelb, Yellow (front cover) and a registration card., Theo van Doesburg, from 1922 until 1924
expressionism,de stijlmécano
Inro with Pine and Snow-Covered Ardisia japonica
inrō in the walters art museumrimpa school
Inro with Pine and Snow-Covered Ardisia Japonica
inrō in the walters art museumrimpa school
Oval Plaque with the Annunciation, Suzanne de Court
baroque art in the walters art museumsuzanne de court
1904 circa August Ludwig Matthäus Neven Du Mont Plakat IXe Ausstellung Cölner Künstler im Kunst Gewerbe Museum Museum für Angewandte Kunst Köln, 1909, M. DuMont Schauberg, August Neven du Mont
august neven du mont (painter)m. dumont schauberg
Sidewall, Golden Lily, 1899
wallcoverings in the cooper–hewitt, smithsonian design museum1890s decorative and applied arts
Theo van Doesburg 031, Theo van Doesburg
furniture designs by theo van doesburgexpressionism,de stijl
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